“经历了一次很大的暴风雨，捕鲸船快被海水吞食了，巴尼与比约克这对恋人也快被海水淹没了，就在这一刻他们却变成了鲸鱼的化身，一种界乎于鲸鱼和人类之间的物种。”--Drawing Restraint 9，Matthew Barney

22SS，TRANSFORMATION，试图模糊人，动物和物件之间的形态，强化原始生命动力，以及那些可能被创造的共识和差异，探讨当下的多重生命精神图景。整个系列迷恋缓慢发展与对抗分裂，围绕场域（The Field）、条件（Condition）、状况（Situation）和生产（Production），构成神话叙事以及隐藏力量的个人幻境。22SS基于当下，疫情反复带来的集体不安，重新思考原始机能，来隐喻人类潜在生命，能力，极限，束缚等问题。

22SS延续品牌“当代叙事”和“文化想象”的理念，以更浪漫叙事的方式描述诞生过程。没有完整的故事和对话，理想色彩，怪诞符号，母体臆想来构建超自然物种的精神图景。

"After a big storm, the whaling boat was about to be swallowed by the sea, and the lovers ofBarney and Bjork were almost submerged by the sea. At this moment, they became theincarnation of whales, a kind of boundary between whales and humans."--Drawing Restraint 9, Matthew Barney

22SS,TRANSFORMATION,attempts to blur the forms between people,animals and objects, strengthen the original life dynamics,and theconsensus and differences that may be created, and explore thecurrent multi-life spiritual vision.The entire series is obsessedwith slow development and confrontational division, revolving around The Field, Condition, Situation and Production, forming a mythicalnarrative and a personal illusion of hidden power. Based on the current group anxiety caused by the repeated epidemics, 22SS rethinks the original function to metaphor human potential life, abilities, limits, constraints and other issues.

22SS continues the brand's "contemporary narrative" and "cultural imagination" concepts, anddescribes the emerging process in a more romantic narrative way. Incomplete story anddialogue, ideal colors, grotesque symbols, and maternal conjectures to construct the spiritualpicture of the supernatural species.